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“Adaptation: Houses of Portland”
Alyssa Alarcón Santo's custom-built shadowbox is filled with tiny, hand-painted balsa wood models of real Portland, OR houses.
“Adaptation: Flower Beast”
Cat Johnston’s “Flower Beast” is illustrated with fine liners and colored pencils.
“Adaptation: Reconciliation”
Chamisa Kellogg's moody shadowbox "Reconciliation" is made up of layered cut paper, painted with india ink.
“Adaptation: Landscape”
Cortney Benvenuto has embroidered her “Landscape” with a bright palette of earthy threads.
“Adaptation: Florabunda”
Elizabeth Goss applies her papercutting skills to a new medium with her woodcut illustration, “Florabunda.”
“Adaptation: Cerberus”
Erika Schnatz’s brightly colored cross stitch features the many heads of the Greek myth, “Cerberus.”
“Adaptation: Mississippi Ave – 11pm on Saturday”
Hanna Carter captures a moody Portland night with ink and colored pencil in her illustration, “Mississippi Ave - 11pm on Saturday.”
“Adaptation: Bloom”
Heidi Aubrey’s highlights the sweetness of nature with her watercolor, “Bloom.”
“Adaptation: Pony Pal”
This woolen needlefelted “Pony Pal” by Jenna Lechner can be a pin, ornament, or art piece, complete with illustrated packaging.
“Adaptation: Slice of Paperville”
Karen Hansen captures the coziness of home with her cut-paper shadowbox, “Slice of Paperville.”
“Adaptation: Plain Sight”
A sweet, stylistic gouache fox lives in a canvas shadowbox for Laura Mark’s “Plain Sight.”
“Adaptation: Interwoven”
Mel Christy’s fluid ink lines on linen paper and wood form pleasing patterns in the double-sided “Interwoven.”
“Adaptation: Sole-Mate”
Morgan Braaten’s whimsical black and white lineart shines in her pen-and-ink illustration, “Sole-Mate.”
“Adaptation: Rainbow”
Sheryl Murray demonstrates her color and shading skills with pencil illustration, “Rainbow.”
“Adaptation”
“Adaptation” is a creative gallery show in the time of Quarantine, displaying a collection of 5x5” works in the windows of Land Gallery, PDX.